澳门游戏厅

大家2015年的星愿是什麽呢?把星愿投进: rwvbmH
有机会能把Charmmykitty、布丁狗…等三丽鸥家族带回企唷
希望2015年呀,一切 风花雪月三月天
万事幻化在其中
春花早开又早落
片片雪花落枝头
事事万变难预料
不如饮酒解悠愁

毕业了……我一直以为我不会哭的说,结果眼泪还是不争气的掉了,我三年来英勇的形象(!?)就毁于一旦了。                     <font size=m88bet明知吃宵夜对身体不好, 义大利名胜巡礼.....

从威尼斯 ,罗马 到南部海岸的地中海风情~~~

不错的风景图喔 !

每五秒会自动更新图片

forum/gallery/displayimage.php?album=1&pid=5&slideshow=5000 沉静,没有快乐,也没有不快乐。
↑三月银盐週记
March 10 2012
a red washcloth&a washcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。到她,

高雄新开的好吃创意炮芙
1/3布丁泡芙

电话:(07)222-0008
地址高雄市青年ㄧ路4巷28号

诺亚奶粉现在在FACEBOOK举办一个小活动,

只要加入粉丝团按讚

上传爸爸的照片(合照、背影、有关爸爸的皆可)~

就有机会拿到葡萄糖胺液及奖金唷~


在你跌入人生谷底的时候,你身旁所有的人都告诉你:要坚强,而且要快乐。 【冬天打灯的合掌村】漫步雪国。世界遗产の巡礼!

【 3/15之前申请的旧会员,免费看到3/31,之后就可以以优惠价看热门电影瞜

3/15之后申请的新会员,可以免费看到5/31!发烧电影优惠价!








   

你去探望一位住院的同事,intings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。能量。,            热量及淀粉类食物,像是咸酥鸡、泡麵、各式的零食等,只会蓄积多馀热量,增加身体负担。 在新竹县尖石乡的深山裡
有一个独立遗世的泰雅族部落
那就是司马库斯
青翠的山林间 几户人家 炊烟袅袅March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本, 想多认识一些朋友.对这裡不熟.

小弟在两天前去批发市场买了台农57号的地瓜
就是拷起来会很香的那肿
可是
烤的时候怪怪的
皮不会向之前那样膨胀
反而与肉黏在一起

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